All the songs are very similar compared to siren song which has much more variety in sound. Sufferer and the Witness is too similar song to song. Siren Song, Sufferer and the Witness and Appeal to Reason are my favourite rise against albums and I know how everyone says that sufferer and the Witness is the best I might disagree. That being said all the albums are classic. Also if I had to rank all my Rise Against albums it would be: 1. It includes a lot of my favorite songs of theirs such as "State of the Union", "Dancing for Rain", "Rumors of My Demise Have Been Greatly Exaggerated", "Swing Life Away", and my personal favorite Rise Against songs "Blood to Bleed" and "Give It All". But this one takes the cake as the best of their albums, or my favorite would be better wording. It's so hard to decide which album I like the most because they're all so good!īut S & the W has to take number 1 for me just because it has my all time favorite song Prayer of the Refugee which just tips it over the others.Įasily my favorite band of all time! Can't wait to see them in Feb 2015!Īs a diehard Rise Against fan, I love all their albums. I find the newer stuff has moved away from their punk roots and more political and melodic sounding and dare I say. You can tell this album is more polished and refined compared to their raw sound in earlier releases. My opinion the best album but Siren Song of the Counter Culture is a close second. I would give 2 to The Black Market, 3 to Siren Song Of The Counter Culture, 4 to Endgame, 5 to Revolutions Per Minute, 6 to Appeal To Reason, 7 to The Unraveling, and 8 to Wolves. I remember the first time I heard Rise Against through Prayer Of The Refugee, and I was amazed. It has inspired me so much with songs like Ready To Fall, Survive, Bricks. My favorite album of all time, a truly life changing album. The entire album creates an awesome atmosphere while talking about serious themes, combining honest lyrical content and the musical maturity to make this the best album by Rise Against. Take a look at fan favorites like Ready to Fall, Prayer of the Refugee or The Good Left Undone, but also at songs like Drones or Behind Closed Doors. The guys simply know how to play punk/melodic hardcore songs. So even with the occasional letdown, there's a lot to be said for Rise Against pulling everything off with as much substance and strength as they do the whole way through.Definitely the best Rise Against album and one of the most powerful and lyrically inspired records I know. Essentially, The Sufferer & the Witness showcases Rise Against maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting. The excellent "Prayer of the Refugee" jarringly alternates between plaintive guitars and weary singing to an empowered chorus and exploding rhythm section to affectingly address the plight of displaced families of war the frustrated disconnect distressing a troubled relationship is represented surprisingly well in "The Approaching Curve," with its driving use of spoken word and complementary female backing vocals. This record is basically one shout-along, mosh-worthy song after another, though the guys do throw in some interesting moments outside of continual rushes of pure adrenaline. "Injection" and "Ready to Fall" bring things back into invigorating Rise Against territory early on, while "Bricks" stands out as a vicious blast of old-school hardcore energy and power. This later happens again in songs like "Under the Knife" and the ferocious-yet-still-slightly-missing "Worth Dying For," but moments like these are, in truth, more the exception than the rule. However, "Chamber the Cartridge" doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve. As such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics. After all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms. Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing. The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture.
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